Preliminary casting for the production of the musical comedy “Head Over Hills”, scored by Pasadena Playhouse’s Go-Go, is being released on November 1st. With its 2018 Broadway running on heels for being LGBTQ-friendly in its theme and casting, the Pasadena version doesn’t seem to be losing any of it in the revision.
Two more mature roles for the show in Elizabethan-era Comedy of Manners, Queen Guinea and King Bacillias will be played by Alaska 5000 and Leah Delaria, respectively. Alaska 5000 comes on stage from fame, partly based on being declared the winner of the second season of “Rupel’s Drag Race All Stars” and runner-up in the 5th season of “Rupel’s Drag Race”. Although also known as a comic and singer, Delaria is best known to recent television viewers as Carrie the “Big Boo” Black in the three-time SAG Award-winning run “Orange is the New Black.”
It is unknown at this time what he will do after leaving the post. ”- Considered to be the first transgender person to play a leading role in Broadway.
Coming from the Broadway run of “Hills” is Ural Echezareta (as the player), who recently played a character in Steven Spielberg’s “West Side Story”. George Salazar (Musidoras), known to the Pasadena Playhouse regulars, was nominated for a pre-epidemic production of “Little Shop of Horrors” for Seymour’s performance, and for Lucil Lortel’s winner on Broadway, and the drama desk nominee for “Be More Chill.” A fellow “Be More Chill” star is now listening to Go-Go’s song, Tiffany Mann (Pamela), who also won the Lucille Lortel Award, but only for “Jerry Springer’s The Opera.” Emily Skegs (Mopsa) collected nominations from Tony and Grammy for appearing at “Fun House” on Broadway. Shanis Williams (as Philoclia) earned a big TV profile by playing Dorothy in prime-time The Wise Live.
If the casting doesn’t appeal to LA theatergoers, the setup will be, since the usual seats have been removed from the California State Theater for this production, instead a common-filled “dance floor” and two seating areas, where the cast moves to the stairs, rampamp and floor. Across the crowd.
Danny Feldman, the artistic director of Playhouse Productions, gave an earlier explanation Diversity The story, “It’s much more of an experience than watching a show passively. The show that happens around you puts the audience at the center of the story and music.” Was, “Honestly, we have time to change places which we don’t normally do. ছিল It was time to do it. It’s a big, bold swing, and we’re trying to build a party that everyone has earned for the past year.
The party / dance floor atmosphere won’t be anything, though; At the time of abandonment, masks will be required, as well as proof of complete vaccination, which can prove religious absolution and show recent negative tests.
The creative team has also been filled, directed and choreographed by Jenny Kuns and Sam Pinkleton, who recreated the inter-free version of the show, plus Chris Kukul’s music direction, David Meyer’s natural design, Hanji Jang’s costume design, Stacey Derosey Sound design by Erdberg and Ursula Koeng Brown, casting by Ryan Tymansky at the Telsey office, and stage management by Sara Sahin.
The performance runs from November 9 to December 12, and is now on sale at pasadenaplayhouse.org.