Baz Luhrmann is no stranger to accolades. Australian auteur projects regularly run into controversy during awards season, last year’s “Elvis” being no exception. receiving diversityThis year’s Creative Impact in Directing Award for his accumulated work, however, allows him to reflect not only on his long resume of film, television, opera, theater and recording output, but also on the many people he has worked with. the way
“I’m really honored by it, but I also find it enlightening that I’m actually a serial co-worker,” said Luhrmann, who has worked with artists over the years on “Elvis” and other films, such as director of photography Mandy Walker, costume designer Kathryn Martin. and re-recording mixer Andy Nelson.
“I kind of represent a huge body of artists and creatives and actors who have collectively created these works. I feel really good for the way it makes them feel because they give their heart and soul to the art,” he added.
Luhrmann’s kinetic brand of showmanship developed and grew from his upbringing in Australia throughout his life and career. Her mother, a ballroom dance teacher and clothing store owner, ran a movie theater with her father, contributing to her unique and stylish approach to storytelling.
His debut on the world stage was in 1992 with “Strictly Ballroom”, which began as a short play at Sydney’s Wharf Theatre. The film’s breakout success led to its subsequent string of hits such as “Romeo + Juliet” (1996), “Moulin Rouge!” (2001), “Australia” (2008), “The Great Gatsby” (2013) and most recently “Elvis.”
Throughout his film career, Luhrmann also had success in short-films/commercials such as operas (Puccini’s “La Bohème” on Broadway in 2002), “N° 5 The Film” for Channel N° 5, starring Nicole Kidman and Rodrigo Santoro. has in 2004, and “The Secret Life of Flowers” for the collaboration between Erdem and H&M.
He served as executive producer, writer and director of Netflix’s “The Get Down” (co-produced with playwright Stephen Adley Gurgis), and musical production from the 1997 spoken-word song “Everybody’s Free (To Wear Sunscreen)”. Worked extensively. “The Great Gatsby” from his chart-topping soundtrack.
“Baz Luhrmann remains at the forefront of international cinema as the rare auteur who also connects with a global audience,” said diversityExecutive VP of Global Content, Steven Gaydos. “Luhrmann makes individual, personal movies on a grand scale, reminiscent of Hollywood’s Golden Age directors who are revered as daring filmmakers and also remembered for making big, accessible, beloved hit movies.”
Luhrmann will be honored in Palm Springs, where two decades ago the festival presented its Sonny Bono Visionary Award from “Elvis” star Austin Butler. diversity10 of its directors to watch the brunch on January 6.
The prospect of receiving a Creative Impact Award for directing at an event celebrating up-and-coming helmers reminds Luhrmann of the advice he was given by filmmakers like Peter Weir — who taught him which side of the camera lens to look at — when he was new to the industry.
He was told, “You have a unique way of telling a story. It won’t be easy but don’t give up,” said Luhrmann. “You are the director to watch because you have a singular way of telling a story, it doesn’t matter what the story is, but the way you tell it is what makes everyone pay attention to you. So don’t let the way of telling what lies ahead be lost.”
Luhrmann joins past recipients of the Creative Impact in Directing Award such as Ryan Coogler, Tom Hooper, Patty Jenkins and last year’s honoree Asghar Farhadi.