Currently looking for funds and partners to complete post-production, Ida Begi’s fourth feature “A Ballad” after taking the Yarimez Co-Production Development Award 2015 for taking a bow in the Cine Link Work in Progress section of the Sarajevo Film Festival. Produced by D’Artemar – for the film house Sarajevo and Les Films de l’Apras in France, respectively – it will mark an important departure for the Bosnian director, who was used in his work to address serious social problems.
“My first three films were about the aftermath of the war and now I’ve decided to talk about something else. I’m tired,” says Helmer, whose first feature “Snow” won the critics’ week’s Grand Prix in the ear, and which features Sophomore, “Children of Sarajevo.” “The jury has been given special distinctions in the specific consideration of who can be lined up.
“If I had trouble watching one serious movie after another, how could I expect my aunt to go to the cinema and really enjoy it? In Bosnia, we are basically forcing people to see their own lives on screen. But this picture is funny and light, and I’m proud of it, “he added.
After her marriage to Hassan, her hero Mary returns to her childhood home. Living with her outspoken mom isn’t easy, but Mary has found a way: she decides to audition for a role in a film she’s shooting in her neighborhood.
“She’s not your typical heroine,” Beggie says. “I was trying to show a woman that she’s not very tough – she’s confused. But when you get yourself in trouble, it’s okay if you can’t handle things right away or you’re still in love with someone who doesn’t want to be with you anymore. It is better to feel lost. These characters also deserve our attention, although Mary eventually finds her freedom in art.
Admitting that another turn is waiting for his audience, Begio was inspired by Bosnian traditional theatrical folklore. In particular, “Hasnaginika”, created in the 17th century and describing the tragedy of a abused woman, her husband kicked her out of the house and then forced her to remarry, eventually dying of grief, unable to reunite with her children. .
“It’s not a direct reference, but I need to reconstruct the myth that a woman’s greatest achievement is to endure suffering and die with dignity. Why are we so valuable, when we see so many warriors in our daily lives? I tried to put it in a contemporary context and this time, mom is advising that she should get married again. Many women share that masculine state of mind. They save it sometimes. ”
As a woman but also as a filmmaker, what does it mean to be free? This time it is determined to find new solutions and play with the expectations of the industry.
“I’m so stuck, going to all these festivals and markets and realizing that I’m not really free. People in our industry don’t know recipes, but they work like them. I didn’t want to listen to anyone when I was making ‘A Ballad’. That’s why it’s a very unique, low-budget film, ”he said, describing the shooting of the epidemic as something that brought him and his crew“ a whole new level of joy ”.
“I really needed that kind of experience. If you look at the European Earthhouse scene, we’re always fighting what we call the ‘American’ solution, so God forbid there’s a flashback or a happy ending. But then we start repeating ourselves, ”he says.
“I wanted to explore my character freedom and my own freedom as a director, and, of course, I use all these‘ reprehensible ’elements in flashbacks and movie language that we are very afraid of. All these questions I have been asking myself for so long? They are now a part of the film. ”