October 23, 2021

Pjnews

Today's News Headlines, Breaking News & Latest News from India and World, News from Politics, Sports, Business, Arts and Entertainment

Caleb Landry Jones talks about the new album and the flourishing acting career

5 min read

For the multi-hyphenated Caleb Laundry Jones, making music is not just another form of self-expression এটি it is the medium through which he digests the unending twists and turns of life.

“I learned very quickly, within the first six months of coming to LA, that if I can’t write music consistently, things get a little weird,” said Landry Jones. Diversity His signature is South Draw. “If I do those songs … I’m in the right mood and won’t face any other challenges.”

The Texas native – best known for his performances as “Get Out” and “Three Billboards Outside Ebbing, Missouri” and this year’s Cannes Best Actor Award for “Nitram” – has previously tried to live without composing songs. , And it has failed miserably. In 2019, Landry Jones decided not to bring on the set of his guitar “Finch”, a post-apocalyptic film starring Tom Hanks where Landry Jones played the role of a robot named Jeff to keep his attention focused on acting. But that did not last long.

“I’ve been having this for about a month now that I’m starting to get this feeling that I don’t like, and maybe I can do something positive – like trying to play some music or drawing – or I can go to a bar and drink and play pool,” said Laundry. “It was something I couldn’t solve while I was there, and the only way to figure out how to solve it was to try to make some music. I liked making a few songs, and then I focused more on movies I was able to pay. ”

What Laundry Jones didn’t expect was to be flooded with an explosive crowd of creativity. Although her debut album, “The Mother Stone” (which was released in May 2020), is not over yet, those cathartic guitar sessions will eventually become her second full-length project. “Godzukus Volume 1” – via Sacred Bonus Records on Friday – is a psychedelic dive into the inner workings of Laundry Jones’s brain, a glowing and sometimes confusing journey that leaves one lost in thought. Krun fuzzy guitar, ever-changing drum pattern and catchy piano and string instrumental (courtesy of Drew Erickson) make for an amazingly captivating sound.

For the “Finch” wrapping film, Landry Jones returned to LA’s Valentine Recording Studio – a historic historical studio that specializes in analog recording and created albums by Beach Boys and Frank Jappa – and began working with producer Nick Zodine to get his creativity. Insanity has been recorded.

“I don’t want to write things down, so I was very interested after finishing filming to record it,” Landry Jones said of the songwriting and recording process. “It felt like, ‘Okay, let’s do this now. Okay, let’s try this. Ah, what do you think of it? Does it sound good? No, it sounded awful. Let’s try this. What is Caleb doing?’ “Oh, maybe he’s smoking. It probably only took two months.”

Laundry Jones speaks with an old-fashioned nature, calling television shows “programs” and referring to Gomer’s pile from “The Andy Griffith Show.” Some of his sentences come out like puzzles and that style is easily transferred to his music.

“Sometimes I think I know what I’m writing, and then a few years pass and I realize I’m probably talking about something else in particular, in a very weird way,” Landry Jones said of the song “California.” Asked if it was a rumor about the Hollywood lifestyle. “I called it ‘California’ because I said ‘California’ many times in the song. But I really hate songs about California, so I don’t know why I did ‘Californiaification’ or ‘Hollywood Bleeding’ or something like that. “

Songs like “Come Tomorrow” evoke the weird excitement of the Beatles’ “Magical Mystery Tour”, while tough cuts like “Buggy” Jack White-Lake early white stripes. But the nearby album “This Will Never Come Back” has its own in a unique alley – especially since it’s 20 minutes long.

“It won’t come back again,” said Landry Jones after the album was already over. “It seemed like a test time,” he says.

The resulting piece of music conveys the feeling of being a lost child at the carnival, both calm and anxious: full of fear but also of wonder. Within five minutes, the song descends into a complete static-filled instrument chaos with piano notes that provide a circus-like melody and its surroundings stop and begin to move throughout the track.

Landry Jones said the purpose of the song – and the album as a whole – is to spread creativity in the minds of listeners, but it can also be expressed.

“I hope it’s something you think you should look at his face, and hopefully it’s something that will help you get to your own thoughts, especially in the last 20 minutes of the record,” said Landry Jones. “Hopefully, [it] The medium they are using should bring them to a better place when they are listening to it, be it thinking or working on something. “

Landry Jones acknowledges how much his acting and music careers have grown to complement each other and he hopes it will stay that way.

“I wouldn’t have been able to make any of these albums if it weren’t for the film. Some jobs over the last few years have funded those albums, “says Landry Jones.” Instead of keeping money at home, I’m putting it on these records. “

However, he has no plans to travel anytime soon – and he probably likes to keep some secrets about his musical personality. Speaking of his growing influence, Landry Jones mentioned that he went to a radiohead concert as a teenager – and “never listened to them again.”

“I did it right or got something,” admitted Landry Jones. “It feels good sometimes, I work with actors and once I get a chance to work with them, I don’t want to see them in any more movies. I think it’s the same thing – you’ve appreciated their work for so long or so and then you see them do it. Even if you’re really taken back and it’s really amazing, there’s a little less mystery in it.

If given the chance, would Laundry Jones ever want to combine her two passions? This is not something he is necessarily trying to do unless National Geographic is involved.

“I would have no problem playing a musician, but I had no desire,” said Landry Jones. “I wanted to do some movie music or something, until it was okay. If National Geographic came to me, I would be heartbroken, absolutely – what is it, 20 minutes, what kind of bird? Absolutely. A few keyboards and I’ll give it to you in a week, easy! But I don’t think it works that way. ”

Leave a Reply

Your email address will not be published. Required fields are marked *