Drummer Charlie Watts, whose skillful, powerful skin work that drove Rolling Stone for more than half a century, died in London on Tuesday morning, his spokesman said. No cause of death was mentioned; Was 80.
A statement from the band and Watts spokesman read: “It is with great sadness that we announce the death of our beloved Charlie Watts. He died peacefully in a London hospital today, surrounded by his family.
“Charlie was a cherished husband, father and grandfather and also a member of the Rolling Stones, one of the best drummers of his generation.
“We kindly request that the privacy of his family, band members and close friends be respected during this difficult time.”
– The Rolling Stones (ol Rolling Stones) August 24, 2021
On August 4, Watts abruptly withdrew from Stones’ upcoming epidemic-suspended U.S. tour, citing the need to recover from an unspecified but “successful” recent medical procedure. A spokesman said: “Charlie had a procedure that was completely successful, but I gathered his doctors this week and came to the conclusion that he now needs proper rest and well-being. It’s fair to say no one has seen it. ”Watts was stricken with throat cancer in 2004 but successfully recovered and suffered from substance abuse in the 1980s but also lost.
Recognized as one of the greatest rock drummers of all time, Watts and guitarist Keith Richards played a key part in the Rolling Stones instrumental sound: Richards spent over half of the group’s concert, facing Watts, bowing to the drummer. A review of a Rolling Stones concert in 2012 reads: “For Mick and Keith to dominate, there’s no question that the band has a heart and will always have watts: at the age of 71, its whipcrack drives the pre-natural feeling of trap and swing. With Peerless Authority Watts was never a flamboyant drummer, but was beating the beat for a two-hour set for “The World’s Greatest Rock and Roll Band” – in a stadium, no less. -Watts is a work of great physical endurance performed up to the age of 78 years.
Her last concert with the group was in Miami on August 30, 2019, although she appeared with the band during the “One World Together” All-Star Live Stream in April 2020 at the beginning of the epidemic.
Warrie, a basset-oriented musician, was a jazz-schooled player who came to rock through the “trade” scene in London in the early sixties. He was a missing part of the first row of the group, joining in January 1963; Along with Jagger and Keith Richards, he has been consistent with “The World’s Greatest Rock ‘n’ Roll Band” on record and stage for over 50 years.
He provided tidy, energetic support for the band’s long-running dirty, blues- and RB-based hits in the early and mid-60s. He reached the pinnacle of his skills in a series of mature recordings made with producer Jimmy Miller in the late 60’s and early 70’s, where his sharp playing was caromed in Richards’ serenaded guitar riffs.
“According to The Rolling Stones,” Richards said in a 200-word oral history, “A drummer who can play with Charlie Watts’ sensibility is one of the best hidden treasures I’ve ever had, because I’ve never had to be a drummer and think about what he’s going to do.” I just say, ‘Charlie, it goes like this,’ and we’ll kick it a bit and it’s done. I can give him ideas and I’ll never have to worry about the beat … it’s a blessing. “
A flexible player, the Watts Stones attack showed off his flexible chops in off-brand style সাই Psychedelia, Reggae and (1978 hit single “Miss You”) at the disco.
Although he grew tired of the band’s traveling pace in the early 1980s, he reunited with the Stones for another three decades, the most comfortable and profitable drumming gig in music. She won by battling heroin addiction and throat cancer, tackling these challenges as the spotlight grew brighter on her more brilliant band mates.
Watts remained a picture of domestic happiness and serenity in his fellow Stone soap-led life: he married his wife Shirley in 1964 and the couple were together for this period.
He has a lifelong love of jazz and has been recording regularly with various ad hoc lineups of his Charlie Watts quintet since the 1980s, composing hard-swinging instrumental music that dampened his first interest in music.
Watts was inducted into the Rock and Roll Hall of Fame in 1989 as a member of Stone.
He was born in London on June 2, 1941; His father was a truck driver in the English railway system. Growing up at Wembley, he was attracted to the music of early jazz pianist Jelly Roll Morton and bop saxophonist Charlie Parker as a young man. He was an indifferent music student at school, but started playing at 14 or 15.
In “The True Adventures of the Rolling Stones,” Watts told Stanley Booth, “Fortunately my parents realized enough to buy me a drum kit. I bought myself a banjo and untied my neck and started playing it as a drum …[I] Played the newspaper with the wire brush. My parents bought me the first drum kit that every drummer knows very well. ”
He named the base drum head of his initial kit “Chico” after the name of saxophonist Gary Mulligan’s drummer Chico Hamilton. As a teenager, he worked in various regional jazz groups.
He was educated as a graphic designer at Harrow Art School and worked for an advertising agency in London. In 111, he wrote and wrote a fictional tribute to Charlie Parker; It was later published as “Ode to High Flying Bird” after the Rolling Stones rose to fame in 1964.
In 122, Watts first encountered some of his future band mates at the Ealing Club in London, an underground venue where first-generation trade-to-blues players such as Alexis Corner and Cyril Davis hit first to replicate American R&B and blues.
After working on a design in Copenhagen, Watts returned to London and accepted a Corner offer to drum in his group Blues Inc., which for some time featured Jagger as his singer.
He was in the process of forming his own blues-based band, originally called Rollin Stones, with Jagger Richards, guitarist Brian Jones, bassist Bill Wyman, and pianist Ian Stewart. The weak connection to the unit was drummer Tony Chapman, and, at the request of Richards and Jones, Watts replaced Chapman to the neonatal group; He was Ginger Baker in the Corner Band, later replaced by Cream.
Watts later admitted, “I first learned a lot about R&B from Brian, Mick and Keith. I didn’t know anything about it. I had blues like Charlie Parker or [New Orleans jazz clarinetist] Johnny Dodds is playing at a slow pace. He educated himself by listening to recorded performances by Earl Phillips, a colleague of Jimmy Reed, and Fred Belov, who directed many of the major blues hits on the chess record of the 1950s.
He proved to be a fit student and he forcibly completed Stones ’term (who soon dropped Stuart from the permanent lineup and hired him as a sideman and road manager). From the band’s first 1963 single, a crank-up cover of Chuck Berry’s “Come On”, he pushed the unit with seemingly effortless energy and swing.
Watts provides strong support for R & B- and blues-derived material recorded in an era when purist Jones enjoyed parity with Richards and Jagger on the rocks. However, he was far more than a floor-on-floor timekeeper, and pushed the Jagger-Richards original band to the top of the US and UK charts.
He is Stone’s first US No. 1, “(I Can’t) Satisfaction” (1965) and “Paint It Black” (1966) and “Ruby Tuesday,” “We Love You” and “She’s a Rainbow” (all 1967).
She came up with the solo single “Jumpin ‘Jack Flash” and “Street Fighting Man” (1968) and “Hunky Tank Women” (1969), produced by Miller, which ended Jones’ tenure with the group (he died in 1969) and The arrival of guitarist Mick Taylor.
Those numbers and subsequent “Brown Sugar” (No. 1, 1969) and “Tumbling Dice” (1972) – drawn from Stones’ landmark albums “Sticky Fingers” and “Exile on Main St.” – all featured trademark words on their top stone, Watts with a bouncing hard from a lacerating Richards guitar role.
From 1971-81, Watts appeared on the studio album number eight in a row by the Stones and appeared on three tours, the biggest earners of the era. Since 1975, he has carried his design skills and worked with Jagger to configure extensive stage sets that became a feature of later acts of the Act.
In the late 70’s, he started using heroin, and his addiction became so intense that he shook his head in the studio during the recording of “Some Girl” (1978). He later told the BBC in an interview that Richards – an avid drug abuser – woke him up at the session and advised him, “You should do this when you grow up.” Watts said he took the guitarist’s advice and stopped using drugs.
Despite his difficulties in that era, Watts easily navigated the danceflu backbeat that ‘Miss You,’ the Stones ’last No. 1 single, was released in ’78. In the 1980s, he brought his whip-cracking skills to the band’s top ten hits, the annual show-opener “Start Me Up” (1981) and Dark Fusilad’s “Undercover of the Night” (1983).
He again became involved in alcohol and drug problems in the mid-80s, but again in 1986 he wisely and successfully overcame his addictions.
In his 2002 book Rolling with the Stones, bassist Wyman (who came out of the Stones in 1993) claimed that Watts ‘interest in working with the band waned in the late’ 80s, when the group directed Jagger and Richards. Conflict in between threatened to run it permanently.
He has increasingly made his own record and travel as a jazz band leader. He cut a big band album for Columbia in 1986; Four sets with his own quintet from 1991-96; And in 2000 worked on a collaborative project with co-drummer Jim Keltner.
Even after the reunion of Jagger and Richards, Watts was still intimately involved with Stone: their four studio albums between 1989-2005 were hit by huge tours that broke records internationally. Blocking throat cancer did not break the responsibility of his visit, he was diagnosed in 2004 and was successfully treated.
Aiming at half a century, the group has successfully trekked to stores without any new products in the new millennium, taking the road to the arena in 2012-1.
In October 2016, the law filled the Empire Polo Field in Indio, California, with Bob Dylan as the venue for the annual Cochrane Music Festival in Double Bill, as part of a three-day “Desert Trip” festival featuring ’60s classic rock acts.
Watts is survived by his wife and daughter Serafina.