German animation studio Fabian and Fred rose to the Spanish director Isabel Harger’s animated feature “Sultana”, a fictional feminist utopia set up between British colonial rule and India.
The Spanish-German co-production is inspired by Rokeya Sakhawat Hossain, a Bengali female activist from a village in British India, in 1905, a feminist utopian book, The Sultana’s Dream.
The two partners are in talks with an Indian partner to join the film, and Hargura is working with Indian animators.
Producers are Sultana Films (Gianmarco Serra), El Gatoverde Productions (Cello Lureiro), and Fabian & Fred (Fabian Drihurst).
Hargera’s film, which is in pre-production, asks the question: what would it be like to live in a world where women play the role of men and vice versa?
“Sultana” follows Ines, a Spanish artist in his twenties, who discovered Hussein’s book “Sultana’s Dream”. Hussein’s story is set in Ladyland, a place where women call shots, while men live in isolation and take care of household chores.
Ines traveled to India in search of the author. The film is set to release in early 20223 with global sales, finance and broadcast partners in the discussion.
Putting women and colon colonialism back in the spotlight is a second Fabian & Fred feature, managed by the company’s co-founder Frederick Schuld.
“Alia’s Secret” is a 0-minute animated film that will mark Schuld’s feature debut. Shuld is co-writing the script with Easter Kaufman.
The story follows a migratory bird boy and his younger sister who escape from the fish kingdom in a boat in search of their lost mother. It is inspired by the true story of the Princess of Zanzibar, who fled her country as a young woman to start a new life in Hamburg.
Fabian and Fred are in the process of writing the script and are looking for more development funding and co-production partners for this stop-motion film in 3D. The film is scheduled to release in 20226.
The company was active at European summer film festivals, and most recently presented an animated short “Night” (pictured) by Palestinian director Ahmed Saleh in Locarno. The film follows a mother whose child is missing in the war.
These three films put each woman at the center of their story.
“Most of our previous films dealt with very specific observations about people or society, often with strong women and weak men. Whether it’s a female artist who is face-blind talking about her childhood where she was raped because no one knew about the syndrome. Only through art can she learn to deal with her disability and begin to recognize herself, “says Drihurst. Diversity.
She added: “The upcoming slate of our project is also working on issues that are not essential to animation features, but we see it as an opportunity to see it differently. Has been said.
Fabian and Fred are breathing new life into Germany’s permanent animation industry.
Dryhurst says: “From our point of view, animation is quite conservative in Germany. For adult audiences, animation is rarely produced and difficult to distribute. The most successful German animation films are CGI films for family audiences, mostly based on popular books / IPs. Quite rare but the last few years have been some exceptions.
It has received industry support. “Alia’s Secret” is funded by the state-owned MOIN Film Fund Hamburg Schleswig-Holstein as part of the Slate Development Fund 3 × 3.
“In the case of stories and more complex characters, I think there is a lot to explore in Germany in the future. I feel the same in terms of animation technique and style. We rarely see pictures where a director’s style or a unique voice in storytelling is visible.” He added.