September 21, 2021


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Filmmaker Richie Adams discusses the new-age drama ‘The Road Dance’

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It was a terribly long journey from Louisiana to the Isle of Lewis in the Outer Hebrides of Scotland, but it was a precious journey for Richie Adams. The American filmmaker, formerly best known for the US-set Indies “Off Mind and Music” and “Inventing Adam”, has made the most extensive, ambitious film of his career in “The Road Dance”.

Appropriately being the world premiere of the Edinburgh Film Festival, the film is a broad rural melody centered on first love, the horrors of war and patriarchal oppression in a small Scottish village a few years before World War I. The change of pace has caused an explosion of creative energy in Adams, which has two new features – the non-fiction book “Mr. Townsend and the Polish Prince “and an original screenplay,” Pedro Pan “- written and, in his words,” ready to go. “

Written from the 2002 novel by Scottish author John McKay, “The Road Dance” is a product of Adams’ personal affection for the classical-style British period drama of filmmakers such as David Lynn and Joe Wright. “Set in Outer Hebrew, this story has a lot less style and circumstance like‘ Atonement ’, but it was transporting the same for me,” he says. “I love that miraculous time and the feeling of the community in that small village, which is very different from what Louisiana was accustomed to. And reading the book, I thought that if it was so fresh and new to me, I could bet that it Will be for many others.

Heading to teenage Kirsty (a breakout twist on Hermione Corfield’s star in TV’s “We Hunt Together”) as she discusses a series of personal misfortunes after her boyfriend goes to war, the film has a modern sensibility that denies her early 20’s. The setting of the century – especially in the depiction of sexual abuse and trauma. “When I read the book, I was amazed at how relevant it is now,” he said. “But it was a time when women like Kirsty couldn’t be so vocal about what they endured. We had to be true for the duration, but in the end I wanted to tell a story of overcoming an unimaginable tragedy.

Shooting in most places last fall on a remote island in the city of Lewis, Garenin (population: 0), Adams took up the challenge of filming in epidemic situations, unfamiliar geography and the challenge of perpetually bad weather. “It’s 100% harder,” he said, “especially because we’re all wearing masks all the time, except for the actors when they’re shooting. And we’re shooting a lot of heavy emotional scenes, and I like to get up close and personal with the actors, but Then I come to them and they can’t see my face, so I really have to be sympathetic. ”

For his subsequent projects, Adams will be around the house. Also developing with the “Road Dance” Bacter Winta production, “Mr. Townsend and the Polish Prince” tells the story of Joe Purzaiki, the first white football coach to be hired at HBCU College Delaware State, and the controversy and ethnic conflict – on his way to a final victory – after his appointment. “It’s just a beautiful story,” he says.

“Pedro Pan,” meanwhile, is inspired by the true story of Operation Pedro Pan, the mass evacuation of 1,14,000 Cuban children to the United States between 1 and 012. The former president of Cuba, an English schoolteacher and an Irish-American Catholic priest who planned to bring these children out of Cuba under the noses of Castro’s secret police. Andy Garcia, he says, has read the script and is “very interested”. Whichever comes first, Adams is happy anyway: “That’s really where Win wants to go.”

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