It was a long road for the “Hamilton” company in Los Angeles – just eight hours before the night opened in March 2020, the show closed due to fears of an epidemic. Little did the cast know at the time that it would take 523 days for their productions to finally reach audiences at the Hollywood Pantheon Theater.
Talking to Diversity Just hours before the new opening night of the show on August 1, 2021, Rory O’Malley, who played King George III, was already in a trance. “I just hope I don’t cry the whole time. I don’t think it would be a good acting choice for King. ”
Tony Nominee, who previously played the dumb adventure king on the national tour of Broadway and the show, said the importance of a return to live theater could not be overstated. “I grew up in Cleveland, and the theater was my second home in my local community, and I know this is true for many young people across the country. The theater is not just a building for them, it’s their second home. It’s their church,” he said. “We can communicate together and do what we like and we can find a safe way to do it … it’s beautiful.” It’s really history. ”
Joanna A. Jones, who played Eliza Hamilton in 2011 Eliz, described it as an “honor and special opportunity” to return to the role, reflecting the hardships of the past year and a half. “As an artist, you have to be [theater] It will not be allowed and it is not necessary … it is difficult. This is what we love. This is how we communicate our art, our expression, our creativity. Seeing it begin to recede, it seems as if hope has begun to awaken. ”
His excitement is not without a level of health concern, as he is again gearing up for the eight-week performance of the nearly three-hour show. “There is nothing that can prepare you for this other than just being in it. We still have to figure out what our stamina is. We are athletes There. We need to re-energize and re-train our muscles. And so it’s definitely scary, but I think I’m slowly starting to hang on to it again. Condemn the slow and steady nation. “
O’Malley, on the other hand, says stamina won’t be a problem for him. “This interview has now lasted longer than my stage time at‘ Hamilton ’,” he said, adding that he was “overwhelmed and amazed” by his actors. “I was watching them at rehearsals, and I really asked a few times, ‘Was there another rehearsal I didn’t know about?’ How do they remember every single dance step? I’m just fascinated by their talent and their skill, and I know it’s going to be an amazing show tonight.
He was certainly right about the show. The excitement of the company was shared by the audience in the panties, who burst into exuberant applause and cheers at every opportunity. During high-powered performances such as “Cabinet War,” one can easily confuse the theater environment with the Lakers game.
O’Malley shared that during a dress rehearsal in front of first responders on August 16, he noticed people singing along to his show-stopping number, “You’ll Be Back.” “I have clearly heard people singing ‘da-da-da-da-da’ towards me with their masks, which is such a sweet thing.” And, of course, the opening night crowd didn’t disappoint, with another Singalong orchestra echoing across the seat.
Jeff Loeb, general manager of the Pantage Theater, spoke Diversity After a demonstration of the venue’s journey to welcome patrons again, revealing that the process began with the improvement of the building’s HVAC system, upgrading the filters to allow fresh air to come inside. Then, in July of July, the theater announced that all sponsors needed proof of full vaccination.
Loeb says he saw no resistance to security warnings Diversity, “Visitors to Los Angeles think that what we put there can be a safe place for everyone. ”
O’Malley said, “I feel safer backstage in Hamilton than anywhere else.” We’re all wearing masks.
Luckily, the opening night closed without a hitch (and without a mask on stage). If there is any indication that the electric power of the crowd is coming, then the “Hamilton” company is ready for a winning and joyful run in the coming months.
Loeb hopes the musical is the first of many productions to return to the theater after a devastating era. “It’s a big bell for the whole industry. We’ve taken the right steps to open it safely, and we’re here, and we’re doing it right, and we can safely invite people to enjoy that craft.” They all love it. “
“The first art that closed first and the last art that came back, I think it was a great moment for all of us,” Loeb said. In 2022.