September 22, 2021


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How the director of Broadway’s new diversity wants to change the industry

2 min read

Broadway is back – and wants to make some changes to how it’s used.

Listen to this week’s “Stagecraft” podcast below:

Producers, producers, advocates and executives across the industry are working to make the business more equitable, the Broadway League, a trade organization of theater producers and presenters, recently tapped Janian Scott as the organization’s first director for equity, diversity and inclusion. Speaking of the new episode of “Stagecraft” DiversityIn a theatrical podcast, Scott said there is plenty to celebrate in the upcoming season – and there is still plenty of work to be done.

“Looking at what the league members have done to hire all the EDI directors and we have seven new shows written by people of color, I like to think we’re moving in the right direction and creating a place for those who look like me,” Scott said. . “I would also say that there is room for improvement across all areas of the industry, and that’s why I’m here.”

As VP of human capital, Omaha joined the Scott League for a seven-year period of inclusion in the performing arts, where he developed the best practices for diversifying the performing arts. “You have to go where people are,” he said. “In Omaha Performing Arts, it means building a grassroots community, and getting involved in the community and building real relationships. It’s not about the Omaha Performing Arts, or even the Broadway League, telling a community what they need and what we can give them; “It’s about listening to that community and telling them to us. It’s turning it upside down and putting it aside and letting the community know.”

Scott details some of the programs already in the league-including a young-viewer initiative called Broadway Bridge and a league fellowship program that encourages behind-the-scenes talent এবং and how he wants to work with them and the rest of the industry. “Now that the league has created this position where I’m at, we’re able to more deliberately focus on how we deliver our programs, who we work with and how we work and interact more with the community,” he said. Said. “I think it could be one of the struggles we’ve had in the past: the initiatives we’ve got were made to benefit them.”

Everything is going on across the industry, Scott said, adding that theater workers and audiences alike understand that the promise of change is real. “It’s important for people to know that this industry doesn’t just talk,” he said.

To listen to the full conversation, listen to the link above or download and subscribe to “Stagecraft” on podcast platforms including Apple Podcast, Spotify and Broadway Podcast Network. New episodes of “Stagecraft” are released every week.

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