September 23, 2021

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How the Kemp Powers succeeded in composing plays in Los Angeles

2 min read

The new movie “One Night in Miami” started out as a successful drama – but New Yorkers probably didn’t know it, because despite being acclaimed in Los Angeles and London, the play never got a New York production.

Listen to this week’s “Stagecraft” podcast below:

The screenplay adaptation (such as Pixar’s co-author and co-director) as well as the screenplay adaptation writer (as well as One Night in Miami) for Camp Power, highlights the experience as what he sees as the key to the difference between New York and LA. Let’s call it New York, it’s the egalitarian nature of fine arts here, ”Powers said in the latest episode of Stagecraft, Different‘Theater Podcast. “Anyone can do it, and if it’s connected to the audience, it connects to the audience. It’s a lot less clubby’s.

Although Powers is now in L.A. Living in, he was born and raised in New York and came into contact with theater as a child. “The theater has had a profound effect on my life and changed who I am as a person. “It opened me up to the world,” he explained. “But at the same time, theater practitioners are a club I’ve never been invited to join.”

He added, “I do not say anything with bitterness. I’m saying to make it more enlightening that our businesses don’t include as much as we can, as much as we can do them. “

Like many creative and playwrights, he hopes the theatrical back-up and running environments will change over the next few months. “When I first wrote [‘One Night in Miami,’], It was a part of what Staged did stame it was a matter of concern that it would drive white listeners away. It was told to me, sometimes directly, sometimes paraphrased, but it told me so much, ‘if it doesn’t appeal to our customers… or if it makes it uncomfortable …’ play the specific type of black they wanted to see. That was just such a jolt, and I heard. “

In the new Stagecraft, Powers also discusses his play script “One Night in Miami” – “85 Minutes in a Room” – and the significant rewriting involved in publishing the story for the film, although some of it retains the theatrical feel. “I don’t even think you’ve reached a single line of playframes from the drama in about 45 minutes of the movie. I kind of started from scratch, ”he said. “The most popular moments of the drama are not in the film” “

Also in the new episode, the author timely, new drama and the central debate of “One Night in Miami” between Malcolm X and Sam Cook mirrors his ongoing internal debate with each new work of his own.

To listen to the entire conversation, listen to the link above, or download and subscribe to Stagecraft on podcast platforms, including Apple Podcasts, Spotify and the Broadway Podcast Network. New episodes of “Stagecraft” are released every week.

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