October 20, 2021


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J Cole Bars Brings Back to Center: Concert Review

4 min read

One of the most favorite features of Jay Cole’s career has always been his transparency. For more than a decade, a group of Carolina paparazzi followers and a seat in the hip-hop statue have gathered because she makes listeners feel like they know her by her music and her lifestyle. The acquaintance created a sense of kinship within her fanbase, and when she filed for her sold-out off-season tour at the Barclays Center in Brooklyn on 19,000 Saturday night (October 1), it felt like a family reunion. Starting the journey in Miami with the help of special guest Drake & Future – the trek returns to J Cole performing live since his KOD tour in 2018. Star Drusky.

Growing up in the same North Carolina town as Cole, Murray exploded into the rap scene with his viral track “Quicksand” last year and instantly connected the crowd with his infectious power, fun-loving attitude and impressive vocal chops. Did not use backtrack for). Her set was the perfect prelude to a high-level performance that would last into the night, followed by 21 Savage shortly after and featuring fan-favorite songs like “10 Freaky Girls,” “X,” and “Knife Talk” while wearing a metallic silver jumpsuit that The glitter matched the dazzle that was built at the center level. After the set of 21 was over and Drusky delivered a ridiculous MC routine, the crowd was primed and ready for the man’s appearance at the time.

True to the basketball theme present throughout the album, Cole re-opened the screen as we followed him from his green room to the stage like a star player taking him to court when he spat his singing “Punchin the Clock” in the dark then, 90s Chicago Borrowing Bulls’ intro music, a video montage of Cole’s highlights from his Rwandan professional basketball debut before the fall of the screen. Wearing the Dreamville jersey in throwback New Jersey net colors, Jay Cole greeted with deaf applause as he stood in front of a risky basketball court and a huge, burning hoop to pay homage to the album’s cover art.

The theme of the night was the bar. After doing “South5 South,” Cole talked for a while about how he really wanted to rap for Brooklyn audiences, especially considering New York City where hip-hop originated. “I didn’t want to run away from the bar, I wanted you to listen to the bar in places where you wouldn’t be afraid to give the bar, and I’ll tell you why,” he explained from the stage. “When you come on tour, there will be a lot of pressure. Want to hear hits, and we got them too. But if it’s cool with you, and it’s the birthplace of bars, New York City, if I give you a few bars on this show, is it cool? And Cole did just that, immediately rushing to “apply pressure” and the crowd roared and the hoop behind him burst into flames again.

As the show progresses, Cole’s “The Off-Season” high-wattage vocabulary and “Power Trip”, “Can’t Get In,” and “Mr. Excellent Watch,” are all supported by a stellar live band and vocalists. Reflecting the power of “The Off-Season”, his sixth studio album, Cole delivers each line with precision and tactical skill, while still creating his intimate moments that return to his dollar and a dream days. There was a special moment when the rapper performed a deep cut from his “Friday Night Lights” mixtape, “Back to the Topic Freestyle”, a song he said only eight or nine knew. Cole released his new singles “The Jackie” and Down Bad also tapped fellow Dreamville artist Bus on “Print Compilation Album” Revenge of the Dreamers 3 “.

Before doing the passionate “Let Go My Hand,” Cole shared another moment of irrational honesty with those present, saying he never wanted to reach a stage in his career where he didn’t feel comfortable performing songs that meant so much to him. “I don’t want to escape the fear of giving you all something that really came from my heart,” he said. “I don’t want to run away from that feeling.” That feeling was shared by thousands of people who murmured for him when his voice began to crack. He would later close his set by performing his multi-platinum song “Middle Child”.

Jay Cole’s Brooklyn stop for his off-season proves that his bars are still alive and well, if it was still questionable. It is true that such a lyric exhibition took place at the Barclays Center, where the shadows of the revered jerseys of J-Z and Biggie Small are hanging on the rafters. As the concert-goers leave the Barclays Center, one can still hear Cole’s songs humming to fans on their way home অর্থ the true meaning of resonance.

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