‘Life and Death of Brian Jones’ digs deeper into the Rolling Stones ‘Death – Variety4 min read
Even for Obsessive Rolling Stones fans, the story of the death of guitarist Brian Jones nearly 51 years ago was so clouded with misinformation, controversy and fighting agendas that one is only surprised at a certain time. An asthma patient with a long history of substance abuse, he drowned in the pond of his beautiful home on July 2, 1919, a few weeks after he came out of the rocks. Although the subject of his death was officially ruled by Corona, little is known about who was present, what their motives were, and exactly where they sank.
“Rolling Stone: The Life and Death of Brian Jones” repeated many well-established facts – and was made explicitly without the cooperation of Stones’ organization – it goes a long way in clarifying the facts, and Jones presents plausible evidence that, if not murdered, However, he will be killed in a massacre. Although the documentary does not feature any band members, filmmakers have worked hard to present descriptions of many people who were neglected by Jones and the group’s close associates during the 1990s. , Friends Stanislas “Stash” Klosowski de Rola and members of Pretty Things Dick Taylor and Phil May, who died the following year – and presented a truly new account of travel-related matters.
The film argues that Jones’ killer was a man named Frank Tharogood, who was probably working on renovations to the guitarist’s home, although “freeloiding” is probably the more appropriate word for what he and his collaborators are doing. According to a third-hand account, Thoroughbred confessed to his execution for killing Jones.
However, the 90-minute-long dock took time to get there, spending the first hours on well-known stories about Jones ‘childhood, his important role in the band’s formation, its emergence and its early success – he was the undisputed leader at the Stones’ early years. Charisma, insecurity, substance abuse, camouflage and selfless, vindictive and often physically offensive behavior. At first, he arranged to pay more than the other band members, for which they never forgave him; At the time of her death, she gave birth to six children, including six separate women. His memorable insecurities only grew as Mick Jagger and Keith Richards – whose group’s early director, Andrew Log Oldham – initially considered him a budding lyricist – quickly adopted him as the group’s focal point and leader.
Many of the descriptions for him by the people listed above include “Torture Soul, Unbalanced, Cracked, Weak, Manipulative, Satan,” are Bob Dylan famously greeted Jones – with whom he was friends and who sang the song “Ballad of a Thin Man” about him. Wrote – “Hi Brian, how is your paranoia?”
Several things, however, suggest that as his behavior and health deteriorated, “there was a lot of hatred towards Brian” from his colleague Stones. The last straw came in 1967, when Jones fell ill while on vacation with his girlfriends Anita Palenberg and Richards, the couple simply abandoned him and fled together – they would be a couple for the next 20 years – they left him Hotel Bill
After that, his fall was quick: “He changed suddenly, and alarmingly,” his father said in a taped interview from the 1970s and 1970s. A notoriously corrupt police officer in London (almost a setup almost twice) raped her twice for drugs, which only exacerbated her ill health, substance abuse, insecurity, and paranoia. As his musical contribution to the group declined dramatically in the second half of the ’60s, he opted for uninterrupted, incoherent and playable recording sessions. His drug record would have made it impossible for him to travel to the United States with the Stones, but in May 1999 he was asked to leave the team for the same reason. Less than six weeks later, he died.
The documentary has found its notch and is among the evidence surrounding John’s death, originally directed by journalist Scott Jones, who tried unsuccessfully to reopen the investigation into the guitarist’s death in 2010. In addition to Thoroughbred, the incident centers around an underworld character with a Stones named Tom Keelak, and according to various theories, he and Thoroughbred’s construction collaborators are “expelling” Jones until he fires them – and he dies the next day. The film combines the theory that about a dozen people were at home on the night of John’s death – some of them were Tharogood and associates, who were still hanging after the shooting – and Jones and Thorogood entered a film arguing. Holding the water’s edge at the bottom of the water, they argued that Jones’ body had been moved to the pool, where asthma was found after his death. Many of Jones’ assets were later – and mysteriously – disappeared from the home after his death, with Killock, who died in 2009, identified as the culprit.
Although it covers quite a well-traveled land, it also presents a case for the theories of “Brian Jones’ life and death” and shows rare video footage, photos and interviews with many people as well as great research whose documents the filmmakers were intelligent to document (above all, None of us are getting younger). It paints a realistic picture of Jose himself, whose insecurity, cruelty and substance abuse have finally surpassed his talent, allure and charisma.
“He was a great man somewhere,” said his ex-girlfriend Searlet in heavy-accent English. “She was embarrassed too.”