Paolo Sorrentino, new after winning his Grand Jury Award for “The Hand of God” in Venice, where he decided to tell his own story, picked up another statue at the Zurich Film Festival.
“It’s a little surprising since I’m a little Italian director,” the 51-year-old joked. “I am proud to receive this award for the first part of my career. I hope I get another one in about 20 years. ”
During her masterclass in Italian, Helmer opened her mouth about the latest film, “The Great Beauty,” which saw her return to her hometown of Naples. A Netflix production (“They allow me to make a small movie like it’s a big movie,” he says, calling this collaboration “wonderful”), it brings his family, the tragedy that tore it apart but the football legend Diego Maradona, in 1984 Napoli was unveiled as a player.
“For me, and for many in Naples, he represented a joyous moment of sudden release after years of difficult times. His arrival gave us a glimmer of hope,” he said. Thanks to the “source of his inspiration”: Federico Fellini, the American band Talking Heads, Martin Scorsese and Maradona himself, who scored the famous “Hand of God” goal in the quarterfinals of the 1986 World Cup final against England.
“I met him briefly during a football match. He was nervous, going through some difficult times. I didn’t really get a chance to sit down and chat with him. My goal was to show him this movie, but I was still editing when he died. I’m not sure he knew [I was making it] But the people around him did – they wanted to sue me! They thought I was using her picture illegally.
Again with his regular Tony Cervillo as well as Filippo Scotty, acting as his young altered arrogance and awarding the Marcelo Mastroanni Prize in Venice, Sorrentino chose a much simpler style for his autobiographical story.
“I really wanted to show people’s emotions and feelings,” he said. “I don’t think my films can be recognized because of their style, but because of their rhythm. It’s quite slow but not too slow, it’s adagio. Some people criticize it, but I think they are rushing. ”
Admitting that it was the movie that helped him overcome adolescent depression, Sorrentino looked to Scorsese, offering to escape the pain of his experience.
“In my first film, which I luckily didn’t show to anyone, I’ll try to imitate him. But if you want to do that, you need money.” Enjoyed his American Road movie “This Must Be the Place”.
“It’s easier to work with good actors – those who are less good and insecure make things harder,” he said. “I didn’t find it funny. Of course, everyone has their own ideas about what beauty is.
Admitting that she would “love” to one day make a movie with a female protagonist, Sorrentino also discussed “The Great Beauty” protagonist Jep Gambardella and controversial politician Julio Andreotti, portrayed in “Il Divo”.
“It was a challenge to make a moving film about a stable person. That’s why I wanted to make a kind of rock opera, “he said. It was this criticism that followed him that led him to cancel a planned series about the priest and the mysterious Padre P.O. “Since I’ve had problems with Andrew since the movie, I’ve decided to do something about the American pope instead of leaving Padre Poe alone. My wife had this amazing idea for choosing Jude Law. I don’t think he was pop-enough enough, but that was probably the best aspect of the series, ”he said of“ The Young Pope ”.
“People have told me that my characters are weird, but I’ve seen them before,” he said. “It’s like having dinner, telling stories and realizing that people aren’t laughing. You add some funny details that are not true. Reality is also a perception. ”