The beach at Asbury Park, NJ may at first seem like hosting Pearl Jam’s first concert in more than three years, but on the weekend of September 18th at the third annual Sea it’s a very suitable place to listen now to the Jersey Beach Festival. During the band’s headlining set, Eddie Vedder of Pearl Jam was surprised very quickly. “The ocean goes on forever and the crowd seems to do the same.”
Pearl Jam probably wouldn’t have been on the beach in the first place for a role played by Jersey locals during the band’s 30-year career. Vader has been a fan of Bruce Springsteen since he was a teenager, and the two artists formed a very close personal and professional connection in the early 2000s. Pearl Jam has a similarly deep connection to the sea. Listen now to partners Danny Clinch and Tim Donnelly, themselves Jersey residents who quickly established a relationship with the group after music and surfing after their first meeting at Stanhope 70-miles away in Stanhope after their first meeting on the Lolapaluza tour in 1992. .
While saluting the famous rock photographer Clinch before joining the Harmonica at Param Jam for “Red Mosquito”, Veder admitted that Clinch had spent years trying to see the band members in Asbari Park, before they finally drowned: “He said, we got the surf, we Got good people, we got a boardwalk, we got a pinball machine, we got everything a man wants. We said, we’ll go there! We’ll go there! And then we’ve never been here. The whole time, he was actually the prince of Asbari.
And although Springsteen did not appear on stage in a long-rumored Pearl Jam, Veder covered his 2000 song “My City of Ruins”, which was written about the decline of Asbury Park in the late 20th century. The song took on new meaning in the wake of the September 11, 2001, terrorist attacks, but 20 years later, it has now become the epitome of cultural revival in the Asbury Park area of the sea. “The song was about what happened in Asbury Park and how it came out of the ashes with the help of artists, musicians and the lesbian and gay community,” says Clinch. Diversity. “Eddie was really emotional for recognizing it, and wanting to cover a song by Bruce.”
Jarod, son of the late E Street band saxophonist Clarence Clemens, said he “broke down in tears” after the performance. “It was such a magical night that we weren’t out of the woods yet, but we were back to somewhat normal,” he said.
Vedder further shook his head at the foreign inheritance in the Springsteen area as he thought about the boss’s November 2020 DUI arrest for taking two tequila shots with a local couple in a state park. “Of course you’ll offer him a shot of Tequila and of course Bruce will say yes, because he loves Tequila. And he loves to tell stories a little,” Beder said. The escort home should have been found. I just think you should do it in Jersey. You should make an exception. Or not. In fact, tell your partner to take the motorcycle home, leave Bruce behind and take him home. You go to Bruce’s house and I Bet [that] Along the way, she will tell you a beautiful story.
Vedder’s love for the Garden State did not just extend to Springsteen and Clinch. He also paid tribute to Patty Smith, a local from New Brunswick, who said he hoped he could “probably” grow up. Earlier during Smith’s own set, he visited the dog beach in Asbury Park and saw another “big kid” playing in the water, who had become a vagabond. He also mentioned Asbury Park’s legendary club The Stone Pony as his late mother’s favorite place.
The 2020 edition of CER was now canceled due to the epidemic, but the lion’s share of fans kept their tickets and returned to the event this year. In fact, the festival drew more than 30,000 fans to Asbury Park over the weekend to showcase the Avet Brothers, Lord Huron, Smashing Pumpkins, Billy Idol and more. In addition to Pearl Jam, at least one band was brave enough to cover Springsteen, with Moon Taxi making a daring attempt at “Dancing in the Dark” during the Sunday afternoon set.
Surfers like Sam Hammer, Cassidy McClain and Rob Kelly showcase their talents in the sea adjacent to the main surf stage, while Clinch puts a big spotlight on visual art and photography through a festive pop-up version of his local Transparent Clinch Gallery. Jeff Amment of Pearl Jam, Smith, Scott Avet of Avet Brothers, Billy Morrison of Billy Idol band, Trevor Tendroop of Moon Taxi, Strand of Oaks, Liz Cooper, Briston Maroni, artists and performances. , Harry and James Black and James Heardman of Jackson Pines. A portion of the proceeds from the sale to the gallery will go to the charities Save the Bay and the Surfrieder Foundation.
“I’m relatively new to visual art, so I don’t have a painting in this gallery,” says Maroni. Diversity, Adding that after more than a year in lockdown, a festival game of this size was particularly significant. The Tennessee resident said performing in a seaside town, “which looked like a Wes Anderson movie set,” felt special because “everyone was there to have a good time. We could go home in two weeks and never play a stage like this again.” So it really puts into perspective how special it is for everyone. ”
Grouplove performs on Sunday in the transparent clinch tent before setting its own festival day after day. “We literally got out of the van and onto the stage,” said Hannah Hooper, a member of the group who contributed two paintings to the pop-up. “I love when art can be combined with music.”
Elsewhere, the city’s Wooden Wall project featured an art installation by PorkChop and a mural by Holly Suzanne Rader and Bradley Hoffer. Local artists J. Alders, Emily Erenberg, George Bates, John Glenn, Lucia Hallm, Melissa Hood, Ronnie Jackson, Ron Liberty, Shane McClatchy, Evan McClendon, Moana Art, Max Muller, Fiona Mullen, Raলn O’Neill, Rob Santello and Scott Szegesky also appeared on the festival grounds.
The deep musical roots of Asbury Park were once again ahead with the Tangiers Blues band at Clinch and Stone Pony in Saturday’s Pearl-Jam Jam session. Several young Sagar.Listen Now the artists performed impressive chops in the presence of guests including guitarist / vocalist Ron Artis II, Rember Jones and members of Goose. As it aired around 1 p.m., Patty Smith led the band through a brilliant version of the band’s guitarist Lenny Kaye “Gloria”, recalling that she trekked from New York to the venue in 1969 and randomly saw Sprintin’s pre-fame band Chloe Play. 10 minute version of “ason tu .tu”.
Created by Clinch, Donnelly and HM Olman in partnership with Sea.Hear.Now Team Sweetwood and C3 Presents (pictured below).