Blessed with great clear weather, San Sebastian murmured, as hundreds of industries sat face-to-face – some, especially from Latin America, for the first time since February 2020. Producing films for a long time with confidence on the site and to some degree. Thus the 69th San Sebastian festival has proved to be a joyous and energy-reducing affair. The following are some of the highlights:
San Sebastian rebounds
As of Thursday, the total number of San Sebastian delegates had dropped to 3,848, down 46.5% in 2020 and just 11% in pre-epidemic 2019. And 1,749 in 2019. We really wanted to be here, ”said Bernardo Bergeret, co-director of Ventana Sur. He added that Ventana received a record number of applications for tune recognition in late November. Expect Europe’s next big film event, MIA in Rome, a bumper event in October.
Site Reunion: An Industry Requirement
The industry also cannot meet in person. One reason: Covid-19 only complicates the economic decline of most Latin American states, which is one of the main sources of San Sebastian’s presence. The most obvious way to take that slack is through international co-production. Chilean producers Gabriela Sandoval and Carlos Nunez, for example, hit San Sebastian for funding in the upcoming drama feature, “After Elena”. They found partners in the Magma Cine of Argentina and the Revolution Picture of Belgium. “San Sebastian is the first art event we’ve had face-to-face since Berlinale in 2020 and it was 100% worth it,” Sandoval said. Diversity.
For more than 2 hours, his paintings dominated the festival. First, in his Donostia award. Its acceptance on stage was warmly praised. An earlier press conference was widely criticized for blocking a question about her response to criticism of the award by her moderator, which the Spanish women filmmakers’ organization called “inappropriate.” The next day, Depp announced the biggest art news of the whole festival: the launch of a new London-based production company, IN2. He also hit the “Hollywood system”. “Every trip doesn’t have to be a blockbuster, they don’t have to be a formulaic, commercial driving force,” he said. One way or another, Depp seems to be leaving Hollywood.
As of Friday, among the contestants of the competition, Jonas Truber “Queen Low Impaid”, has been watching Spanish teenagers grow up year after year, leading a survey of Spanish critics of the newspaper El Diario Vasco. It was later described as “heartbreaking” by Terrence Davis’s “Benediction.” Diversity, Followed by “The Good Boss” starring Fernando Leon’s Xavier Bardem, Zhang Yimu’s “One Second” and Dan T. Lindenberg’s debut, “Like Heaven.” Outside of the competition, Alejandro Amenbar’s six-episode adventure series “La Fortuna” garnered warm praise in the presence of Stanley Tucci at the end of a press conference. But far beyond the scope of critics’ choice, independent reviewers carry a candle from China’s Zhang Li to Lucil Hadzhililovic’s “Yarwig” and “Fire on the Plain.”
If you can’t defeat them, try to kill them differently
At the same IN.2 press conference, Adolfo Blanco, head of Depp and Spain’s highly respected A Contracorriente Films, announced a joint development fund for the film and series. At the top of the charts of Spanish independent distributors released in Spanish theaters is a mix of contraceptives, an inspirational mix of buying overseas – for example the big French comedy – and local rentals. But many top talents are now removing streamers from the market worldwide. A Contracorriente has little option but without trying to produce yourself. To do this, it has partnered with Depp, “a visionary,” Blanco said.
France led the European art film renaissance
A French film, Julia DuCorn’s “Titan” wins Cannes in July. Another French film, Audrey Diwan’s “Happening” won by Venice. The French were in force, doubling that Wild Bunch, and the main foreign presence in San Sebastian, with representatives from all the major sales outlets, from the Wild Bunch to Platime, Memento. MK2, Pathe and Gaumont, to name a few. No lockdown has lasted so long as in Latin America. French sales representatives usually use Miami to meet with distributors in the region. But most French agents have missed Miami this year and can only finally meet at least a few distributors now. They had something to sell. Only Breakout or Star-Atour art films sell well these days. But Paris, the capital of the art film business, still has more headlines in both categories than anywhere else in the world.
* In San Sebastian, the new Spanish sales company and distributor Bigin Films has sold a comedy directed by Latin American Warner Media, Somos TV in the United States and Spain’s HBO “Amor N Polvo”, Suso Imbarnan and Juanzo Moscarde Reas. . Somos TV has also regained U.S. rights since its inception for the Brazil-set horror film “Uruba” directed by Alejandro Ibnez; And Yaki Sanchez Ariator dystopian thriller “Zero.”
* “Mass,” Fran Crange’s acclaimed new director player, Australia / NZ (Madman), Scandinavia (Nonstop), Spain (La Aventura), Taiwan (Huray), Poland (Galapagos), Middle East (Front) row and CIS by Kinology. (Exponenta).
* Playtime is licensed by Laurent Kant’s Toronto-San Sebastian player “Arthur Ram Rambo” Canada (MK2 Mile End), Brazil (Vitrin Films), Spain (Golem), Portugal (Film 4U), Scandinavia (Scanbox), )), Benelux (Cineart), Switzerland (Filmcoopi), Turkey (Bir Film), and Taiwan (Av Jet).
* In a San Sebastian-related deal announced throughout the week, Wild Bunch International has shut down much of the world in “Happening.”
* Vicente Canales’ Film Factory Entertainment sells Icíar Bollaín Basque’s reunion drama “Maixabel” to Piffl Medien in Germany.
* “Madeleine Collins”, a psychological thriller with “Benedetta” star Virginia Ephera, movie-inspired by Chara (Italy), Rialto (Australia / New Zealand), Best Film (Poland) and Strange Waves (Greece) licensed.
* Films has protected Spain with an alpha picture in the constellation “John and the Hole”.
* Films boutique Noomi Merlant’s “Me Ubita, Som Amur” closes the main European territory, which was played in the Jabaltegi Tabakalera division, with Burton Films of Spain, Triarte of Sweden and Agora Films of Switzerland.
* The Santiago de Compostela-based company acquired Atlant Sales House Finecut from the Korean dramas “In the Front of Your Face” and “Introduction” and from the French sales company Le Pact and The Party Film Sales, “Onoda, 10,000 Nights in the Jungle”. And “going back to the rims”, respectively.
* Santa Cruz de Tenerife’s Bendita Film Sales, whose line-up San Sebastian has taken on new director’s player “Karajita”, Mark Wilkins “The St. Impossible,” a feature adaptation of the Arnon Grunberg novel Magali Solier (“Milk of Milk”).