September 23, 2021


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Simon Jackmet explores the world of AI in the thriller ‘Electric Child’

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“This Earthhouse is a sci-fi computer thriller that revolves around AI and paternity. But it is not set in the future; It’s set now, ”said award-winning Swiss director Simon Jackmet about his next project, Electric Child.

One of the five projects participating in the three-day gap-financing market at the Venice Production Bridge – the Match-Making Centric Film-Mart – “Electric Child” team at the Venice Film Festival has scheduled five meetings to raise Euro000 Euros. The budget is 4.6 million euros.

This is Jackmet’s highest budget to date and features its first English language. The young Helmer has won multiple awards and top festival engagements to date. Jackmet’s first feature “War” (2014) won the Max Ofuls Award among other awards and premiered in San Sebastian. Its second feature, “The Innocent”, premiered in 2018 in Toronto’s prestige platform segment.

Jacquette presents “Electric Child” in Venice with Olga Lamontner, one of the film’s producers. Both are from the 8 Horse Production Company, which Jackmet founded with 10 creatives in Zurich, where the film was set.

“It’s a kind of set in Zurich but it could be another European city. It’s like these AI bubbles, ”he says.

The film will be shot in Switzerland, Germany and the Philippines.

The story revolves around a couple whose child has an unusual illness. When the mother and child move into their own world, the computer-science professor father makes a deal with an AI character on the virtual island to save his child.

Jackmet has been developing the project for the past three to four years. “There is a possible basis for how AI can move towards a superpower, but I have tried to tell the story in a super realistic way. I’m very interested in all of this, and follow what’s going on, ”he says.

“A layer of film shows what’s going on inside the test where a young man is trying to survive on a tropical island,” adds a jacket of planned shooting in the Philippines, which comes with tax incentives.

The team began raising money at Berlinale in 2020 and then appeared online during the epidemic.

“We’ve already visited a few, including Fantasia and the Macau Film Market. A few more of us lined up. It’s been challenging and exciting, ”Jackmet said.

“We’ve funded a lot through government funding,” Lamontanara said. These include the Swiss Federal Office of Culture, the Zurich Film Foundation, Filmstiftung NRW, as well as the TV channels SRF and ARTE.

Ascot Elite is the distribution for Germany with Swiss distributor Port au Prince, and Epic Media of the Philippines. “We plan to start shooting in May 2022 for a nine-week shoot,” Lamantana said.

The funding is expected to be completed by the end of this year. “We expect the film to be ready by the spring of 2023. Post-production will take some time because we will have a large component of FX,” added Lamentanara.

For the Venice event: “It’s been great to try to find the missing money for this project and meet people for future projects,” Jackmet says. “No one comes here and writes you a check. It’s like meeting and following you, but it’s great to see our partners again for the first time since the epidemic began.

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