October 16, 2021

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‘Square’ Ruben Austland talks about the ‘triangle of sorrow’

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Director Ruben Austlund, who won the 2017 Palme d’Or and was nominated for an Oscar for “The Square,” finished his follow-up, dark comedy “Triangle of Sorrow,” on Saturday after 73 days of shooting. Shooting began on February 4, but repeated delays due to the COVID-19 epidemic have already turned into a long-running marathon. He spoke Different About experience.

The filming of I Vast took place in Trollhattan, Sweden and Greece, and the Mediterranean boat ride – not just an old yacht, you remember, Aristotle Onassis and Jackie Kennedy Yacht, Christina O, whose passengers were Winston Churchill, John Wynn Churchill, John Wayne Including Monroe. The elegant yacht is unfortunately seen blowing near the Smitherans in the picture.

The first 25 days of shooting have ended, just as the first film in English, Auslund, was being applied across Europe as a lockdown. Woody Harrelson, one of the film’s stars, moved to Sweden in late June three months later to shoot his role, and production resumed in Greece in late September and lasted nine weeks.

Tell the film’s main producers, Eric Hemendorf and Philip Bobber Different Finishing the film safely was the most challenging experience of their career as the epidemic spread across Europe. “Financially we had to face the risk, but there was a sense of urgency and urgency. There was no waiting option so we had to make it work, ”they said in a statement.

Austland considers itself “lucky” that production was not damaged by the latest lockdown in Greece in November and that the cast and crew were free of the virus, although some older members of the team were understandably nervous. “But we have remained negative,” said the Swedish director Different. “It was the line of production: ‘Everyone stay negative.’

During the shoot, the epidemic affected the atmosphere of the set. “We were really scared at the first lockdown,” Austland says. At the time, they were shooting yacht interiors in the studio, and the set was in a gimbal so they could pick up storms, mimicking a storm. “The feeling outside the studio was that the whole world was shaking and inside the studio you have this dining room that was swaying behind.” “There were times when you could feel that this danger was present. Hopefully this has affected the picture in a good way. “

The feeling of danger was almost real when the gimbal broke during the shooting of the dinner scene, but fortunately no one was injured.

Austland added: “I must say that the second lockdown has created a very calm and family atmosphere centered on production. People were less stressed. The fight was low. I don’t know if the issues were very well sorted or if it was the epidemic that helped people cooperate and work very well together. “

Ostlund said it was important to him that his film be seen by audiences in a movie theater, something that was not possible for a lot of films this year, but it should have been possible when he presented the finished film in Cannes in May. . “When you work with satire and humor, you want to share [the film] With a huge audience, because the audience creates the atmosphere. I would definitely miss being able to share it with an audience that can see it together and discuss it. When I talked about this project in Cannes last year, I said I wanted to build an adult rollercoaster. A film that is entertaining and intelligent and later people talk about it. So I think we should feel it together. “

That said, he wants viewers to feel uncomfortable watching the film. “I like that it always has a kind of dilemma in it, almost from an socio-economic point of view. I am trying to establish a situation that people can easily identify but it is very difficult to manage. “He hopes that the audience will put themselves in the shoes of the characters by looking at the situations from their point of view.” They can’t identify with the character, but at least they can identify with the situation. “

This image of fashion and ultra-rich around the world centers on a fashion model celebrity couple who travel for the super-rich. After the yacht – whose captain is a desperate Marxist (played by Harrelson) – sinks, the survivors find themselves marooned on an island. Here, the dynamics of the group have changed: the cleaned woman has risen to the top of the food chain because she only knows how to cook.

“Billionaires start talking like dedicated socialists: ‘It’s important that we share equally,'” Austland added. “His focus is on showing how the psychological setup changes our behavior and how our behavior comes from where our position comes from.” Was. ” A classification. “One character, Bertolt Brachet, quotes:” Meals come first and then morality. “The male model sleeps with the cleaning lady to get bags of pretzel sticks, which has become the currency of this group.

Austland says the film “says a lot about economics, about money, about beauty as currency […] Many aspects of the film have been inspired by Marxist theory. “

Other members of the multinational actor include Harris Dickinson (“Malficent: Mass Race of Evil”), Charlieby Dean, Vicky Berlin, Dolly de Leon, Zlatko Barrick, Iris Bourbon, Amanda Walker, Oliver Ford Davis, Henrik Dorisin, Henrik Doris .

To find the cast, Austland traveled to several countries. As part of the casting process, he made a lot of improvements with the actors, he says. As part of these sessions he played other parts, which were introduced in the writing process. “Then you can learn a lot more about the script and how it works and what you want to change.” When the casting is done, he adjusts the script so that a character has “a mood that fits a particular actor.”

The film is produced by Platform and produced by BBC Film, Swedish Film Institute, Euremages, Medianboard Berlin-Brandenburg, Danish Film Institute and BFI in collaboration with Essential Films, Co-production Office, SVT and Artটে Fran awardaise. Funding from the National Lottery with the participation of the TV Fund and the Hamburg Film Fund. The film is co-sponsored by the European Union’s Creative Europe Media Program.

The film is being co-produced by Dan Fredkin, Bradley Thomas and Ryan Fredkin as executive producers in collaboration with Impetitive Entertainment 30 West, with Micah Green and Daniel Steinman also working as executive producers. 30 West and WME will co-represent North American sales rights.

The film is a combination of Film I Vast, BBC, Bird Cadre Films, Sovereign Films, Heretic and Piano Films.

Co-producers include Marina Perellos Marhueda, Jargos Carnavas, Constantinos Contovrakis, Pierre Damgard, Julio Chavezmanes and Mike Goodridge.

International Sales is operated by Bobar’s co-op office. The film has Nordic rights to SF Studios, BAC rights to France and Almod in Germany.

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