The newly launched Taiwanese production company Screen Works Asia needs to be associated with a wide range of screen content. However, it must be particularly involved in the development of international projects.
The company was officially launched in July and is jointly supported by the quasi-government agency Taiwan Creative Content Agency (TAICACA) and the locally based streaming platform Catchplay.
Launched in July, the company said it was involved in six projects. These include “Making of an Ordinary Woman II”, a sequel to one of the most successful Mandarin-speaking drama series of 2019, and “Chi,” a TV drama adapted from the martial arts short film “Breathing Methods”. Cutting-edge director Liu Ee.
On Thursday, two of the company’s executive panels were involved in discussions that made up part of the Taiwan Creative Content Fest (TCCF). Catchplay CEO Daphne spoke about the role of young streaming companies, while ScreenWorks Asia’s director of content production spoke about strategies for identifying investment targets. At the end of his session, Chen shared some methods of screenwork with him Different.
“There will be some events where we come up with ideas and concepts and then find writers and directors to work with us. But we also accept pitches and projects from outside. We are actually quite flexible, ”he said.
“Since ScreenWorks is a joint venture with TACCA, the projects within ScreenWorks have to be under a larger framework with Taiwanese elements, Taiwanese talent, Taiwanese stories, etc.,” Chen said. “However, we do not really set the minimum or maximum budget size or where it should be set. The most important things to us are the story, the team and if the project works for both local and international markets. “
“We do not need to involve sales agents or local distributors when we are involved (as proof of commercial reality). Our strategy is a bit different. We like to invest a development fund for each project so that we can develop this project until we think it has the pitch ready for other potential investors, ”Chen said.“ Of course, when we start development, we believe in commercial potential. “
Taiwan is keen to position itself as a place to create international content nowadays, and so the cross-border approach to investing in screenworks is important, even if contract co-products remain problematic due to Taiwan’s diplomatic position.
“We look forward to working with international partners. We are in talks with CJ and TVN (Korea), Media Corps (Singapore), VTV (Hong Kong and Pan-Asia Pay-TV Group) and HBO about cooperation and hope to have some interesting updates soon.
“With the strong presence of catchplay in Indonesia, we are also talking about what we can do between Taiwan and Indonesia. But we do not want to force unnatural cooperation. And if we can’t find the right way to do this kind of collaboration, we’ll just move on to Indonesian-produced productions under Catchplay. “