The composer who wrote ‘MASHH’ theme song was 94 – Variety
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“Shadow of Your Laughter,” “Emily” and “MASH,” themed Oscar- and Grammy-winning lyricist Johnny Mandel has died. He was 94 years old.
“I am saddened to learn that one of my heroes, Johnny Mandel, has died,” Michael Bubble wrote on Twitter. “He was a genius and my favorite writer, sorted and personality. He was an animal. “
“Dear friend and extraordinary composer arranger and brilliant genius around Johnny Mandel has just died,” Michael Feinstein wrote on Facebook. “The world can never be the same without its humor, intelligence and humorous outlook on life and human condition. He was truly incomparable and no one could arrange his writing method or writing. Lord we will miss him. Let’s celebrate him with his music! She would love it. ”
Considered one of the best managers of the second half of the twentieth century, Mandel provided elegant orchestral charts for a wide range of vocalists, including Frank Sinatra, Peggy Lee, Barbara Streisand, Michael Jackson, Tony Bennett, Natalie Cole and Howazi Carmichael.
Mandel has written more than 30 films in his Hollywood career, including the 1960s film Emily’s Americanization (from which Emily’s hit song was released), the “The Sandpiper” (which included “The Shadow of Your Laughter”), and the lyricist Paul Francis. Best Grammy of the Year, including Webster), “Harper,” “An American Dream” (including the Oscar-nominated song “Love for a Time”), “Russians Coming, Russians Coming”, and “Point Blank.”
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In 1970, he performed “MASH”, which required a song for a song by director Robert Altman’s 15-year-old son Michael. The tune later became the theme of the long-running TV series and one of his favorites, “Suicide is Painless”. Famous essays.
His next film scores include “Summer Wishes, Winter Dreams,” “The Last Story,” “The Sailor Who Graciously Fell With The Sea,” “Agatha” (“Enough Songs For Love” Now With A Standard), “Stay There,” ” Cadishac, “Deathtrap” and “The Work”.
In addition to the theme of “MASH,” he wrote the scores for series such as “Markham” and “Chrysler Theater”, in addition to the TV themes “Banyan” and “Very Close to Comfort”. She received an Emmy nomination for her 1980s TV-movie scores “A Letter to Three Wives,” “LBJ: The Early Years” and “Foxfire.” His other telefilms as a composer include “Evita Peron,” “Christmas Eve” and “Kaleidoscope”.
Mandel was born in New York City. He played the trumpet as a young teenager and, fascinated by the big bands he admired in the late ’30s and early’ 40s, he teamed up with top arranger Van Alexander (who wrote “A-Tiskit”). Began studying. “Tasket” for Ella Fitzgerald). She always submitted to Alexander to start her career as an arranger.
As Turi, he played for Joe Venuti’s band; After switching instruments on the tram, he played in the swing bands of Henry Jerome, Boyd Ryburn, Jimmy Dorsey, Buddy Rich, Alvino Ray and Count Bessie in the late 1940s and early 50s.
He completed his music education at the Manhattan School of Music and Gilliard in New York, then began arranging other bands, including Woody Herman, Artie Shaw, Elliott Lawrence and Chet Baker.
In the early 1950s, Mandel was one of the managers for Seed Caesar’s live, New York-based 90-minute variety of TV series, “Your Show Off Show.” Mandel moved to California in the late 1950s and began composing for a 1958 film with a landmark jazz score for “I Want to Live” starring Susan Howard.
He received the Golden Score Award from the American Society of Music Arrangers and Composers in 1996; The lyricists were inducted into the Hall of Fame in 2010; And was named a Jazz Master in 2011 by the National Endowment of the Arts.
His five Grammys included two “Sandpipers” (1965, Song and Score) and two by Quincy Jones (1981), Natalie Cole (“Unforgettable,” 1991) and Shirley Horn (1992) to honor the album.
During her film-scoring period (1958-1990) and beyond, Mandel continued to arrange for top artists, including Mail Terme, Anita O’Day, Nancy Wilson, Diana Kroll, Michael Bolton, Barry Manillo and Manhattan Transfers. He also served on the board of directors of ASCAP for many years.
