Lido’s audience may be forgiven for thinking they saw the Ukrainian entry before the “reflection” of the competition in Venice. Director Valentin Vasyanovich’s study of the toll in the war against Russian-backed separatists in eastern Ukraine is a shot in his Atlantis-like trademark series of static, single-frame shots যা which won the Venice Horizons Award in 2019 এবং and his “Black Level” (2017).
Two years ago, a critic counted 28 static shots on “Atlantis”; According to DiversityThe number of ‘reflections’ is 29. .
“I find that I’m very comfortable with these rather limited – instrumental – scenes and frames,” he said. Diversity. “They give me the opportunity to create large-scale intra-frame miss-n-scans and show the nature of cinematography.”
He finds it “very comfortable” in a style that maximizes the “visual component” and minimizes dialogue and close-ups.
“Initially, the location carries its own emotional burden. Therefore, I am very careful when choosing locations.”
The war in eastern Ukraine is an enduring reality – Vasyanovich sees it as Ukraine’s struggle for survival, accusing Russia of pursuing a policy of “wiping Ukraine out of the face of the earth, making it part of the Russian Empire” – and that’s why he is again the subject of his work. Be attracted to it.
It is unlikely to prove to be a big hit in Ukraine, he observes, noting that “unfortunately very few people in Ukraine attend such films. The Art-House cinema hall had only 10,000 viewers for ‘Atlantis’.”
He acknowledges that his content challenges – a divorced surgeon who follows his wife’s new partner Andrew, only to go east to a torture center where he acts like a merciless murderer on his old friend. Left for dead by his captives – less likely to be popular, although he is sure that this is an important issue.
“In the context of the trauma of war – unfortunately, we are living in this reality. War is one of the primary stories in the media and one of the most traumatic events. Therefore, it is interesting for me to investigate, study and analyze this issue.”
The story is based primarily on a true story of torture at a former Center for Contemporary Arts in separatist eastern Ukraine; He came across the story – in fact much worse than what he showed on screen – returning after a prisoner exchange after meeting with members of the Ukrainian army.
“As for the international audience, we certainly hope there will be an emotional response to the horrific issues related to torture, because it’s hard to imagine anything like that in the 21st century. The question of how this can happen in the present day is actually the whole story. ”
It’s a story that tries to find the answer to “reflection”; The second half of the film focuses on the surgeon’s return to Kiev, hiding the horrible mystery of the part he played in the death of his daughter’s honest father. The plot follows a path of efforts to rebuild his relationship with his daughter and ex-wife as they coincide with the fact that Andrew will never return from the East.
Vasyanovych believes that the war will last a long time after the end of an issue for filmmakers – although he does not see the end of it for now.
For his next project, he says he has several ideas but has not yet decided on one.
“I have a lot of ideas and I’m not ready yet to answer any idea I’ll work with,” he notes. “These ideas are currently evolving inside me, and I’m waiting for one of them to finally exploit me. It will take time, but I hope I will start working on a new image development soon.”