Shortly after the premiere of their latest documentary at the main awards-circuit festival, veteran filmmakers Liz Garbas, Robert Green and Elizabeth Chai go to a small, remote village off the coast of Vasarhali Maine দুই two hours from a major airport.
The trio created the trek so they could take part in the 17th edition of Camden International. Movies. Each brought their Oscar-winning docum, respectively, “Beaming Costo,” “The Procession,” and “The Rescue.”
The new exhibition at the Telluride and Toronto Film Festival, Garbas launches “Beaming Costo” CIFF, which was held privately September 16-19 and ran online until September 26. On its first weekend, KKK Oscar winner Alex Gibbon, John Sluss, founder and principal of Synetic Media, Kerry Putnam, former CEO of Sundance Institute, Molly O’Brien, head of documentary at NBC News Studio, and Erica Debile, executive director of POV Can go to Camden, Rockport and Rockland’s Penbuscott Bay.
Katherine Everett, the film’s XTR chief, worked as a panelist at CIFF’s Points North Fellowship Pitch Session, where the six filmmakers selected for the program presented their work progress to funders, producers and distributors. It is one of the many fellowship programs associated with the festival each year.
“Every platform and streamer is here,” Everett says. “Big business is happening here.”
There are two types of business in Camden: fund protection and / or distribution and the Oscar campaign.
“Since Camden is such a beautiful location, there are plenty of AMPAS members here and there is access to a huge documentary branch,” Everett explained. “So filmmakers face people who can be big supporters of their films.”
In addition to “Baking Costo” and “The Rescue”, National Geographic Documentary Films has brought Max Lowe’s “Torn” to CIFF, in addition to CIFF-sponsored showtime documentaries. Legendary mountaineer Alex Lowe, who died in a snowstorm, had its “Torn” premiere on Telluride earlier this month.
Film Ryan Harrington Executive created the film’s main three nut geo projects. Like Everett, she also noticed “more AMPAS members” attending the festival. But he noted that “this festival is really an opportunity for filmmakers to celebrate in front of a film-loving community in an ideal, accessible environment.”
While CUMF has an element of Cumberland in it, filmmakers also have a desire to be different.
“Honestly, there’s a lot of movies here,” Green said. “So Camden is a great place to spotlight some of the best documentaries right now.”
Camden Green’s second parade features “Parade”, which sparked the Oscars after premiering on Telluride earlier this month. About six survivors of childhood sexual abuse from Catholic priests, the “procession” Netflix achieved less than a week ago.
“Our (AMPAS) documentary branch is really run by filmmakers, and here, in Camden, filmmakers come to screenings and I think that’s important,” Green said. “Obviously, we want local audiences to see our films and have bigger conversations, but it’s exciting that last night we had a favorite theater (for“ Procession ”), filled with some of my favorite producers and directors. It meant a lot and I think who is excited about this and you need those people to be excited. ”
Ben Fowley, executive and artistic director at Points North Institute and founder of CIFF, said he was not strategic when he chose the festival during the opening of the awards season.
“At one point the festival was in October,” Fowley said. “The move in mid-September was to help the local economy bridge the gap between Labor Day and Indigenous Day. We later discovered that this is a really great time because we are having the second weekend of TIFF and you have a lot of US premiere landings. So we stuck with the mid-September date and really tried to counter-balance the TIFF experience.
This year, more than 60 filmmakers and Point North Fellows attended CIFF. Although Fowley says this year’s program is typically two-thirds of its size, CIFF 2021 is by far one of the largest private documentary gatherings since the epidemic began.
In addition to the National Geographic Docs, CIFF 2021 included screenings for CNN Films and HBO Max’s “Citizen Ashe” produced by Gibbon, as well as Showtime’s “The Real Charlie Chaplin” and Neon’s “Fugitive.” Each film premiered on Telluride.
But Fowlie quickly points out that CIFF is not the only festival that spotlights Oscar-winning filmmakers.
He said: “We have defined ourselves as an organization that is not only trying to build a pipeline for a major premiere space for Oscar contestants in early autumn, but also a place that supports filmmakers and international artists.”